{"id":853,"date":"2026-03-08T01:03:18","date_gmt":"2026-03-07T17:03:18","guid":{"rendered":"https:\/\/iweb20wp-b205b.url.tku.edu.tw\/jase\/?post_type=tkuisotope&#038;p=853"},"modified":"2026-03-21T23:07:14","modified_gmt":"2026-03-21T15:07:14","slug":"emotion-recognition-in-art-creation-using-visual-image-analysis-techniques","status":"publish","type":"tkuisotope","link":"\/jase\/?tkuisotope=emotion-recognition-in-art-creation-using-visual-image-analysis-techniques","title":{"rendered":"Emotion Recognition in Art Creation Using Visual Image Analysis Techniques"},"content":{"rendered":"\n<div class=\"wp-block-tkuwpbs5-bs5-row row article-info\">\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-3 align-self-start\">\n<p><i class=\"fa fa-folder\" aria-hidden=\"true\"><\/i>&nbsp;<a href=\"\/jase\/?page_id=807\" data-type=\"page\" data-id=\"807\">2026<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-3 align-self-start\">\n<p><i class=\"fa fa-folder-open\" aria-hidden=\"true\"><\/i>&nbsp;<a href=\"\/jase\/?page_id=817\" data-type=\"page\" data-id=\"817\">Volume 30<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-6 align-self-start\">\n<div class=\"wp-block-tkuwpbs5-bs5-div dv_publish\" data-aos=\"normal\"><div class=\"wp-block-post-date\"><time datetime=\"2026-03-08T01:03:18+08:00\">2026-03-08<\/time><\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-row row\">\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-5 align-self-start\">\n<div class=\"wp-block-tkuwpbs5-bs5-div au-ol\" data-aos=\"normal\">\n<p>Zhen Xu<a href=\"mailto:Zhen_Xu08@outlook.com\"><i class=\"fa fa-envelope\"><\/i><\/a><\/p>\n\n\n\n<p style=\"font-size:14px\">College of Creative Design, Hunan Vocational College for Nationalities, Yueyang, 414000, China<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-div\" style=\"margin-top:var(--wp--preset--spacing--40)\" data-aos=\"normal\">\n<p>Received:\u00a0September 9, 2025<br>Accepted:\u00a0November 5, 2025<br>Publication Date:\u00a0March 8, 2026<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-7 align-self-start\"><img decoding=\"async\" src=\"\/jase\/wp-content\/uploads\/2026\/03\/30_023.jpg\" class=\"img-fluid img-fluid mx-auto d-block\" alt=\"\u4e0a\u50b3\u5716\u7247\">\n\n\n<p class=\"has-text-align-center img_caption\">The emotional transmission of art<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size\"><i class=\"fab fa-creative-commons\"><\/i>&nbsp;<strong>Copyright&nbsp;<\/strong>The Author(s). This is an open access article distributed under the terms of the&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\">Creative Commons Attribution&nbsp;License (CC BY 4.0)<\/a>, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are cited.<\/p>\n\n\n\n<p>Download Citation:\u00a0 <a rel=\"noreferrer noopener\" href=\"\/jase\/wp-content\/uploads\/2026\/01\/jase-202509-28-09-0006.pdf\" data-type=\"link\" data-id=\"\/jase\/wp-content\/uploads\/2026\/01\/jase-202509-28-09-0006.pdf\" target=\"_blank\">RIS<\/a> | <a rel=\"noreferrer noopener\" href=\"\/jase\/wp-content\/uploads\/2026\/01\/jase-202509-28-09-0006.pdf\" data-type=\"link\" data-id=\"\/jase\/wp-content\/uploads\/2026\/01\/jase-202509-28-09-0006.pdf\" target=\"_blank\">BibTeX <\/a>| <a href=\"http:\/\/dx.doi.org\/10.6180\/jase.202607_30.023\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/dx.doi.org\/10.6180\/jase.202607_30.023<\/a>\u00a0\u00a0<\/p>\n\n\n\n<p class=\"btn btn-primary article-btn\"><a href=\"\/jase\/wp-content\/uploads\/2026\/03\/023_2025_1019.pdf\" data-type=\"attachment\" data-id=\"909\" target=\"_blank\" rel=\"noreferrer noopener\">Download PDF<\/a><\/p>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Emotion drives artistic creativity and expression. Artists begin with emotional intent and convey it through visual language, which then evokes emotional responses in viewers. To support this transformation, educators need effective analytical methods. This study examines emotional recognition in artworks using visual image analysis. A dataset of 500 art images representing six emotions\u2014affection, friendship, love, homesickness, patriotism, and sadness\u2014was used. Images were collected from public sources and independently rated by three art experts, achieving strong agreement (Cohen\u2019s \u03ba = 0.87). The dataset was split into 70% training (350 images) and 30% testing (150 images), with balanced emotion categories. All images were resized to 256\u00d7256, converted to grayscale, and normalized before feature extraction. Among the tested methods, PCA performed best, achieving 94.5% exactness, 95.9% recall, 95.9% accuracy, and 97.6% precision. It was followed by LDA, stepwise regression, and a deep learning model. PCA showed the highest average accuracy (0.8567), with LDA close behind, while stepwise regression and the deep learning model reached 0.803 and 0.823. Both PCA and LDA produced low error rates (under 0.1). Overall, PCA and LDA effectively identify emotional patterns in artworks and support deeper understanding of how visual structure and composition convey emotion.<\/p>\n\n\n\n<p><em>Keywords:\u00a0Visual image analysis; Artistic creation; Emotional factor recognition method (Visual image analysis; Artistic creation; Emotional factor recognition method)<\/em><\/p>\n\n\n\n<div style=\"height:2rem\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-div ref_ol\" data-aos=\"normal\">\n<ol>\n<li>[1] E. Segal and R. Sharan, (2005) \u201cA discriminative model for identifying spatial cis-regulatory modules&#8221; Journal of Computational Biology 12(6): 822\u2013834.<\/li>\n<li>[2] B. Yang, J. Yao, X. Yang, and Y. Shi. \u201cPainting Image Classification Using Online Learning Algorithm\u201d. In: Distributed, Ambient and Pervasive Interactions. DAPI 2017. Lecture Notes in Computer Science. Ed. by N. Streitz and P. Markopoulos. 10291. Springer, Cham, 2017. DOI: https:\/\/doi.org\/10.1007\/978-3-319-58697-7_29.<\/li>\n<li>[3] P. Jing, X. Liu, J. Wang, Y. Wei, L. Nie, and Y. Su, (2023) \u201cStyleEDL: Style-guided high-order attention network for image emotion distribution learning&#8221; arXiv preprint arXiv:2308.03000:<\/li>\n<li>[4] Q. He, (2024) \u201cResearch on the influencing factors of artistic creation of fine arts painting in the context of visual culture&#8221; Applied Mathematics and Nonlinear Sciences 9(1):<\/li>\n<li>[5] R. Wang, K. Ding, J. Yang, and L. Xue, (2016) \u201cA novel method for image classification based on bag of visual words&#8221; Journal of Visual Communication and Image Representation 40: 24\u201333.<\/li>\n<li>[6] H. M. Shahzad, S. M. Bhatti, A. Jaffar, S. Akram, M. Alhajlah, and A. Mahmood, (2023) \u201cHybrid facial emotion recognition using CNN-based features&#8221; Applied Sciences 13(9): 5572. DOI: https:\/\/doi.org\/10.3390\/app13095572.<\/li>\n<li>[7] M. Yalcin, H. Cevikalp, and H. S. Yavuz. \u201cTowards Large-Scale Face Recognition Based on Videos\u201d. In: 2015 IEEE International Conference on Computer Vision Workshop (ICCVW). Santiago, Chile: IEEE, 2015, 1078\u20131085. DOI: 10.1109\/ICCVW.2015.141.<\/li>\n<li>[8] J. Y. Kuo, T. F. Hsieh, and T. Y. Lin, (2024) \u201cConstructing multi-modal emotion recognition model based on convolutional neural network&#8221; Multimedia Tools and Applications 84: 31093\u201331118. DOI: https:\/\/doi.org\/10.1007\/s11042-024-20409-2.<\/li>\n<li>[9] H. Yang, Y. Fan, G. Lv, S. Liu, and Z. Guo, (2022) \u201cExploiting emotional concepts for image emotion recognition&#8221; The Visual Computer 39(5): 2177\u20132190.<\/li>\n<li>[10] P. L. Pablo and A. G. Tinio, (2018) \u201cCharacterizing the emotional response to art beyond pleasure: Correspondence between the emotional characteristics of artworks and viewers\u2019 emotional responses&#8221; Psychology of Aesthetics, Creativity, and the Arts 237: 319\u2013342.<\/li>\n<li>[11] Z. Yin, M. Zhao, Y. Wang, J. Yang, and J. Zhang, (2017) \u201cRecognition of emotions using multimodal physiological signals and an ensemble deep learning model&#8221; Computer Methods and Programs in Biomedicine 140: 93\u2013110.<\/li>\n<li>[12] Y. Zhai. \u201cResearch on Emotional Feature Analysis and Recognition in Speech Signal Based on Feature Analysis Modeling\u201d. In: 2021 IEEE Asia-Pacific Conference on Image Processing, Electronics and Computers (IPEC). Dalian, China: IEEE, 2021, 1161\u20131164. DOI: https:\/\/doi.org\/10.1109\/IPEC51340.2021.9421211.<\/li>\n<li>[13] J. Yang, Q. Huang, T. Ding, D. Lischinski, D. CohenOr, and H. Huang, (2023) \u201cEmoSet: A large-scale visual emotion dataset with rich attributes&#8221; arXiv preprint arXiv:2307.07961:<\/li>\n<li>[14] J. Pan, J. Lu, and S. Wang, (2024) \u201cA multi-stage visual perception approach for image emotion analysis&#8221; IEEE Transactions on Affective Computing: DOI: https:\/\/doi.org\/10.1109\/TAFFC.2024.3372090.<\/li>\n<li>[15] R. Palanivel, D. K. R. Basani, B. R. Gudivaka, M. H. Fallah, and N. Hindumathy. \u201cSupport vector machine with tunicate swarm optimization algorithm for emotion recognition in human-robot interaction\u201d. In: Proceedings of the 2024 International Conference on Intelligent Algorithms for Computational Intelligence Systems. 2024, 1\u20134. DOI: https:\/\/doi.org\/10.1109\/IACIS61494.2024.10721631.<\/li>\n<\/ol>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"author":3,"template":"wp-custom-template-detail-4-aricles","meta":{"_uag_custom_page_level_css":""},"categories":[12,16,6],"tags":[40],"acf":[],"uagb_featured_image_src":[],"uagb_author_info":{"display_name":"\u6797\u923a\u6db5","author_link":"\/jase\/?author=3"},"uagb_comment_info":0,"uagb_excerpt":"&nbsp;Copyright&nbsp;The Author(s). This is an open access article distributed under the terms of the&nbsp;Creative Commons Attribution&nbsp;License (CC BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are cited. Download Citation:\u00a0 RIS | BibTeX | http:\/\/dx.doi.org\/10.6180\/jase.202607_30.023\u00a0\u00a0 Download PDF Emotion drives artistic creativity and expression. Artists begin with&hellip;","_links":{"self":[{"href":"\/jase\/index.php?rest_route=\/wp\/v2\/tkuisotope\/853"}],"collection":[{"href":"\/jase\/index.php?rest_route=\/wp\/v2\/tkuisotope"}],"about":[{"href":"\/jase\/index.php?rest_route=\/wp\/v2\/types\/tkuisotope"}],"author":[{"embeddable":true,"href":"\/jase\/index.php?rest_route=\/wp\/v2\/users\/3"}],"wp:attachment":[{"href":"\/jase\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"\/jase\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=853"},{"taxonomy":"post_tag","embeddable":true,"href":"\/jase\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}