{"id":7574,"date":"2026-06-04T11:10:24","date_gmt":"2026-06-04T03:10:24","guid":{"rendered":"\/jase\/?post_type=tkuisotope&#038;p=7574"},"modified":"2026-06-04T16:20:59","modified_gmt":"2026-06-04T08:20:59","slug":"jase-202609-32-070","status":"publish","type":"tkuisotope","link":"\/jase\/?tkuisotope=jase-202609-32-070","title":{"rendered":"Color Emotion Mapping in Visual Communication Design: A Data-Driven Statistical Model Using Hue, Saturation, and Brightness"},"content":{"rendered":"\n<div class=\"wp-block-tkuwpbs5-bs5-row row article-info\">\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-3 align-self-start\">\n<p><i class=\"fa fa-folder\" aria-hidden=\"true\"><\/i>&nbsp;<a href=\"\/jase\/?page_id=807\" data-type=\"page\" data-id=\"807\">2026<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-3 align-self-start\">\n<p><i class=\"fa fa-folder-open\" aria-hidden=\"true\"><\/i>&nbsp;<a href=\"\/jase\/?page_id=3671\" data-type=\"page\" data-id=\"1055\">Volume 32<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-6 align-self-start\">\n<div class=\"wp-block-tkuwpbs5-bs5-div dv_publish\" data-aos=\"normal\"><div class=\"wp-block-post-date\"><time datetime=\"2026-06-04T11:10:24+08:00\">2026-06-04<\/time><\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-row row\">\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-5 align-self-start\">\n<div class=\"wp-block-tkuwpbs5-bs5-div au-ol\" data-aos=\"normal\">\n<p>Huang Wenqing<a href=\"mailto:huang_wenq36@outlook.com\"><i class=\"fa fa-envelope\"><\/i><\/a><\/p>\n\n\n\n<p style=\"font-size:14px\">Department of Visual Communication of the Academy of Fine Arts, Harbin Normal University; Harbin 150080, China<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-div\" style=\"margin-top:var(--wp--preset--spacing--40)\" data-aos=\"normal\">\n<p>Received: March 3, 2026<br>Accepted:&nbsp;April 17, 2026<br>Publication Date:&nbsp;June 4, 2026<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-7 align-self-start clk=\u5716\u7247\"><img decoding=\"async\" src=\"\/jase\/wp-content\/uploads\/2026\/06\/32_070.jpg\" class=\"img-fluid img-fluid mx-auto d-block\" alt=\"\u4e0a\u50b3\u5716\u7247\">\n\n\n<p class=\"has-text-align-center\">Impact of Harmony Levels on Valence. Boxplot Comparison<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size\"><i class=\"fab fa-creative-commons\"><\/i>&nbsp;<strong>Copyright&nbsp;<\/strong>The Author(s). This is an open access article distributed under the terms of the&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\">Creative Commons Attribution&nbsp;License (CC BY 4.0)<\/a>, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are cited.<\/p>\n\n\n\n<p>Download Citation:\u00a0 <a href=\"\/jase\/wp-content\/uploads\/2026\/06\/V32.0070.txt\" data-type=\"attachment\" data-id=\"7443\" target=\"_blank\" rel=\"noreferrer noopener\">BibTeX <\/a>| <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.6180\/jase.202609_32.070\" target=\"_blank\">http:\/\/dx.doi.org\/10.6180\/jase.202609_32.070<\/a>\u00a0\u00a0<\/p>\n\n\n\n<p class=\"btn btn-primary article-btn\"><a href=\"\/jase\/wp-content\/uploads\/2026\/06\/070_2026_0069_V32.pdf\" data-type=\"attachment\" data-id=\"7580\" target=\"_blank\" rel=\"noreferrer noopener\">Download PDF<\/a><\/p>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I<strong>ntroduction<\/strong>: design, significantly shaping human emotions and perceptions. Understanding how different color properties influence emotional responses can improve the effectiveness and emotional impact of design. <strong>Objectives:<\/strong> This study examines how hue, saturation, brightness, and harmony influence emotional responses measured by valence, arousal, and dominance. The goal is to develop evidence-based insights for emotionally<br>engaging design strategies. Methods: A mixed-methods approach was employed, combining secondary data from a Kaggle dataset with primary data collected via surveys. Participants rated emotional responses to visual stimuli using a Likert scale. Results: Hue significantly affected valence (F = 12.45, p = 0.001), saturation influenced arousal (F = 10.89, p = 0.002), and brightness impacted dominance (F = 8.76, p = 0.003). Harmonious colors contributed 50.5% to positive valence, with red showing high arousal and dominance, while blue indicated calmness and positive valence. Conclusion: Color properties have a measurable impact on emotional responses. These findings offer data-driven guidelines for enhancing emotional engagement in visual communication design.<\/p>\n\n\n\n<p><em>Keywords:&nbsp;Color Attributes, Emotional Dimensions, Valence, Arousal, Dominance.<\/em><\/p>\n\n\n\n<div style=\"height:2rem\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-div ref_ol\" data-aos=\"normal\">\n<div class=\"container\">\n<div id=\"model-response-message-contentr_442dd220420d5a90\" class=\"markdown markdown-main-panel stronger enable-updated-hr-color\" dir=\"ltr\" aria-live=\"polite\" aria-busy=\"false\">\n<ol>\n<li data-path-to-node=\"0\">[1] M. Sokolova and A. Fern\u00e1ndez-Caballero, (2015) &#8220;A Review on the Role of Color and Light in Affective Computing&#8221; Applied Sciences 5(3): 275\u2013293. DOI: 10.3390\/app5030275.<\/li>\n<li data-path-to-node=\"0\">[2] M. Ding, L. Zhao, H. Pei, and M. Song, (2021) &#8220;An XGBoost based evaluation methodology of product color emotion design&#8221; Journal of Advanced Mechanical Design, Systems, and Manufacturing 15(6): JAMDSM0075\u2013JAMDSM0075. DOI: 10.1299\/jamdsm.2021jamdsm0075.<\/li>\n<li data-path-to-node=\"0\">[3] S. K. Yang, W. J. Chung, and F. Yang, (2024) &#8220;Analyzing the packaging design evaluation based on image emotion perception computing&#8221; Heliyon 10(10): e31408. DOI: 10.1016\/j.heliyon.2024.e31408.<\/li>\n<li data-path-to-node=\"0\">[4] G. Yu, S. Akhter, T. Kumar, G. G. R. Ortiz, and K. Saddhono, (2022) &#8220;Innovative application of new media in visual communication design and resistance to innovation&#8221; Frontiers in Psychology 13: 940899. DOI: 10.3389\/fpsyg.2022.940899.<\/li>\n<li data-path-to-node=\"0\">[5] R. Duan, A. Zwickle, and B. Takahashi, (2022) &#8220;Refining the Application of Construal Level Theory: Egocentric and Nonegocentric Psychological Distances in Climate Change Visual Communication&#8221; Environmental Communication 16(1): 92\u2013107. DOI: 10.1080 \/ 17524032.2021.1964999.<\/li>\n<li data-path-to-node=\"0\">[6] X. Zhang, (2026) &#8220;Smart Home Product Creation Under Emotional Design Principles and Consumer Perceptions&#8221; International Journal of Human-Computer Interaction 42(2): 1084\u20131094. DOI: 10.1080\/10447318.2025.2518351.<\/li>\n<li data-path-to-node=\"0\">[7] Y. M. Putra, S. M. N. Restaty, and F. Mahliza, (2025) &#8220;Community Empowerment through Product Branding and Digital Marketing Techniques to Improve Economic Competitiveness and Entrepreneurship of Urban Families&#8221; Journal of Social Welfare and Community Development 2(1): 13\u201319. DOI: 10.70550\/sowel.v2i1.233.<\/li>\n<li data-path-to-node=\"0\">[8] S. Wang, M. Yao, J. Liu, Y. Jiang, and W. 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Xia et al., (2021) &#8220;Aroused and Impulsive Effects of Colour Stimuli on Lateral and Logical Abilities&#8221; Behavioral Sciences 11(2): 24. DOI: 10.3390\/bs11020024.<\/li>\n<li data-path-to-node=\"0\">[12] A. J. Elliot, (2015) &#8220;Color and psychological functioning: a review of theoretical and empirical work&#8221; Frontiers in Psychology 6: 00368. DOI: 10.3389\/fpsyg.2015.00368.<\/li>\n<li data-path-to-node=\"0\">[13] B. R. Conway, S. Malik-Moraleda, and E. Gibson, (2023) &#8220;Color appearance and the end of Hering&#8217;s Opponent-Colors Theory&#8221; Trends in Cognitive Sciences 27(9): 791\u2013804. DOI: 10.1016\/j.tics.2023.06.003.<\/li>\n<li data-path-to-node=\"0\">[14] C. Taylor, K. Schloss, S. E. Palmer, and A. Franklin, (2013) &#8220;Color preferences in infants and adults are different&#8221; Psychonomic Bulletin &amp; Review 20(5): 916\u2013922. DOI: 10.3758\/s13423-013-0411-6.<\/li>\n<li data-path-to-node=\"0\">[15] J. Maule, A. E. Skelton, and A. 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DOI: 10.1007\/s00426-017-0880-8.<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"author":3,"template":"wp-custom-template-detail-4-aricles","meta":{"_uag_custom_page_level_css":""},"categories":[12,720,6],"tags":[1479],"acf":[],"uagb_featured_image_src":[],"uagb_author_info":{"display_name":"\u6797\u923a\u6db5","author_link":"\/jase\/?author=3"},"uagb_comment_info":0,"uagb_excerpt":"&nbsp;Copyright&nbsp;The Author(s). This is an open access article distributed under the terms of the&nbsp;Creative Commons Attribution&nbsp;License (CC BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are cited. Download Citation:\u00a0 BibTeX | http:\/\/dx.doi.org\/10.6180\/jase.202609_32.070\u00a0\u00a0 Download PDF Introduction: design, significantly shaping human emotions and perceptions. Understanding how different&hellip;","_links":{"self":[{"href":"\/jase\/index.php?rest_route=\/wp\/v2\/tkuisotope\/7574"}],"collection":[{"href":"\/jase\/index.php?rest_route=\/wp\/v2\/tkuisotope"}],"about":[{"href":"\/jase\/index.php?rest_route=\/wp\/v2\/types\/tkuisotope"}],"author":[{"embeddable":true,"href":"\/jase\/index.php?rest_route=\/wp\/v2\/users\/3"}],"wp:attachment":[{"href":"\/jase\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"\/jase\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7574"},{"taxonomy":"post_tag","embeddable":true,"href":"\/jase\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}