{"id":6887,"date":"2026-05-17T22:53:43","date_gmt":"2026-05-17T14:53:43","guid":{"rendered":"\/jase\/?post_type=tkuisotope&#038;p=6887"},"modified":"2026-05-21T21:57:59","modified_gmt":"2026-05-21T13:57:59","slug":"jase-202609-32-047","status":"publish","type":"tkuisotope","link":"\/jase\/?tkuisotope=jase-202609-32-047","title":{"rendered":"Research on Copyright Protection of Yunnan Digital Cultural Heritage Based on Blockchain: Challenges and Limitations of Current Mechanisms"},"content":{"rendered":"\n<div class=\"wp-block-tkuwpbs5-bs5-row row article-info\">\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-3 align-self-start\">\n<p><i class=\"fa fa-folder\" aria-hidden=\"true\"><\/i>&nbsp;<a href=\"\/jase\/?page_id=807\" data-type=\"page\" data-id=\"807\">2026<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-3 align-self-start\">\n<p><i class=\"fa fa-folder-open\" aria-hidden=\"true\"><\/i>&nbsp;<a href=\"\/jase\/?page_id=3671\" data-type=\"page\" data-id=\"1055\">Volume 32<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-6 align-self-start\">\n<div class=\"wp-block-tkuwpbs5-bs5-div dv_publish\" data-aos=\"normal\"><div class=\"wp-block-post-date\"><time datetime=\"2026-05-17T22:53:43+08:00\">2026-05-17<\/time><\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-row row\">\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-5 align-self-start\">\n<div class=\"wp-block-tkuwpbs5-bs5-div au-ol\" data-aos=\"normal\">\n<p>Yirong Mao<sup>1,2<\/sup>, Siti Sarah Maidin<sup>1<\/sup>, Rui Ma<sup>2<\/sup>, and Yingya Zhi<sup>3<\/sup><a href=\"mailto:I24037096@student.newinti.edu.my,\"><i class=\"fa fa-envelope\"><\/i><\/a> <\/p>\n\n\n\n<p style=\"font-size:14px\"><sup>1<\/sup>INTI International University. Persiaran Perdana BBN Putra Nilai, 71800 Nilai, Negeri Sembilan, Malaysia<\/p>\n\n\n\n<p style=\"font-size:14px\"><sup>2<\/sup>Yunnan Communications Vocational and Technical College, Kunming 650500, Yunnan, China<\/p>\n\n\n\n<p style=\"font-size:14px\"><sup>3<\/sup>Nantong Institute of Technology, Nantong 226000, Jiangsu,China<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-div\" style=\"margin-top:var(--wp--preset--spacing--40)\" data-aos=\"normal\">\n<p>Received: December 12, 2025<br>Accepted:&nbsp;February 25, 2026<br>Publication Date:&nbsp;May 17, 2026<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-column col-md-7 align-self-start clk=\u5716\u7247\"><img decoding=\"async\" src=\"\/jase\/wp-content\/uploads\/2026\/05\/32_047.jpg\" class=\"img-fluid img-fluid mx-auto d-block\" alt=\"\u4e0a\u50b3\u5716\u7247\">\n\n\n<p class=\"has-text-align-center\">Technology-Legal-Culture Trilemma in Digital Cultural Heritage Protection<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size\"><i class=\"fab fa-creative-commons\"><\/i>&nbsp;<strong>Copyright&nbsp;<\/strong>The Author(s). This is an open access article distributed under the terms of the&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\">Creative Commons Attribution&nbsp;License (CC BY 4.0)<\/a>, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are cited.<\/p>\n\n\n\n<p>Download Citation:&nbsp; <a href=\"\/jase\/wp-content\/uploads\/2026\/05\/V32.0047.txt\" data-type=\"attachment\" data-id=\"6681\" target=\"_blank\" rel=\"noreferrer noopener\">BibTeX <\/a>| <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.6180\/jase.202609_32.047\" target=\"_blank\">http:\/\/dx.doi.org\/10.6180\/jase.202609_32.047<\/a>&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"btn btn-primary article-btn\"><a href=\"\/jase\/wp-content\/uploads\/2026\/05\/047_2025_1697_V32.pdf\" data-type=\"attachment\" data-id=\"6915\" target=\"_blank\" rel=\"noreferrer noopener\">Download PDF<\/a><\/p>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This studyfocusesonidentifyingandanalyzingthechallengesandlimitationsofthecurrentcopyrightprotection mechanisms for Yunnan\u2019s digital cultural heritage. Yunnan, which is rich in ethnic diversity and cultural heritage, faces unique issues in protecting digital cultural assets amid increasing digitization. This study explores deficiencies in existing technical, legal, and policy frameworks, as well as cultural and social challenges. In addition, this study proposes a hybrid blockchain-based copyright protection framework as a complete research contribution. The system architecture and technical design are fully presented and analyzed in this paper. It also examines the potential limitations of applying blockchain technology to address these issues, laying a foundation for subsequent research on blockchain-based solutions.<\/p>\n\n\n\n<p><em>Keywords:&nbsp;Yunnan digital cultural heritage; copyright protection; current mechanisms; challenges; limitations<\/em><\/p>\n\n\n\n<div style=\"height:2rem\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-tkuwpbs5-bs5-div ref_ol\" data-aos=\"normal\">\n<ol>\n<li>[1] M. Terras. <i data-path-to-node=\"1\" data-index-in-node=\"15\">Cultural heritage information: Artefacts and digitization technologies<\/i>. Ed. by G. G. Chowdhury and I. Ruthven. Facet Publishing, 2015, 63\u201388. DOI: 10.29085\/9781783300662.005.<\/li>\n<li>[2] Y. Lan, Z. Ma, L. Miao, and F. Hu, (2025) \u201cImage digital copyright protection system based on blockchain\u201d Journal of Applied Science and Engineering 43: 315\u2013333. DOI: 10.1016\/j.future.2018.07.029.<\/li>\n<li>[3] G. S. Chauhan, K. Srinivasan, R. Jadon, R. Budda, V. S. T. Gollapalli, and J. B. Awotunde, (2025) \u201cBlockchain based delay-tolerant resource optimization in fog and cloud layers utilizing NNGOA and LS2BiOLSTM\u201d Transactions on Emerging Telecommunications Technologies 36: e70178. DOI: doi.org\/10.1002\/ett.70178.<\/li>\n<li>[4] M. I. Hossain, T. Steigner, M. I. Hussain, and A. Akther, (2024) \u201cEnhancing data integrity and traceability in industry cyber physical systems (icps) through blockchain technology: A comprehensive approach\u201d Advances in Artificial Intelligence and Machine Learning 4: 2883\u20132907.<\/li>\n<li>[5] Z. Ma and Y. Guo, (2024) \u201cLeveraging intangible cultural heritage resources for advancing China\u2019s knowledge-based economy\u201d Journal of the Knowledge Economy 15: 12946\u201312978. DOI: 10.29085\/9781783300662.005.<\/li>\n<li>[6] P. Samuelson, J. A. Baumgarten, M. W. Carroll, J. E. Cohen, T. Dow, B. Fitzgerald, L. Gasaway, D. Gervais, T. Ilardi, J. Litman, and et al., (2010) \u201cThe copyright principles project: Directions for reform\u201d Berkeley Tech. 25: 1175\u20131245. DOI: 10.4018\/978-1-3693-9616-2.ch005.<\/li>\n<li>[7] C. B. Graber and M. B. Nenova, (2008) \u201cIntellectual property and traditional cultural expressions in a digital environment\u201d Edward Elgar Publishing: DOI: 10.1108\/CI-07-2019-0061.<\/li>\n<li>[8] M. Sali, (2022) \u201cIntimate images and authors\u2019 rights: Non-consensual disclosure and the copyright disconnect\u201d Canadian Journal of Law and Technology 19: 343. DOI: 10.1007\/s10257-022-00579-y.<\/li>\n<li>[9] UNESCO, (2022) \u201cGuidelines for the digital transformation of cultural heritage\u201d United Nations Educational, Scientific and Cultural Organization: DOI: 10.1016\/j.clsr.2016.05.004.<\/li>\n<li>[10] S. E. Gambell, (2022) \u201cA sustainable approach to threatened digital cultural heritage\u201d Doctoral dissertation, University of Glasgow:<\/li>\n<li>[11] A. Smith, (2020) \u201cDigital copyright challenges in heritage preservation\u201d Journal of Cultural Informatics 12: 45\u201367. DOI: 10.4324\/9781003292548-76.<\/li>\n<li>[12] M. Pilkington, (2016) \u201cBlockchain technology: Principles and applications\u201d Research Handbook on Digital Transformations: 225\u2013253. DOI: 10.4337 \/ 9781784717766.00019.<\/li>\n<li>[13] Y. Yuan, B. Yodmalee, and et al., (2023) \u201cThe culture of Baizu Benzhu: Art forms and digital conservation of intangible heritage in Dali\u201d Doctoral dissertation, Mahasarakham University: DOI: 10.4018\/979-8-3693-9616-2.ch013.<\/li>\n<\/ol>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"author":3,"template":"wp-custom-template-detail-4-aricles","meta":{"_uag_custom_page_level_css":""},"categories":[12,720,6],"tags":[1456],"acf":[],"uagb_featured_image_src":[],"uagb_author_info":{"display_name":"\u6797\u923a\u6db5","author_link":"\/jase\/?author=3"},"uagb_comment_info":0,"uagb_excerpt":"&nbsp;Copyright&nbsp;The Author(s). This is an open access article distributed under the terms of the&nbsp;Creative Commons Attribution&nbsp;License (CC BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are cited. Download Citation:&nbsp; BibTeX | http:\/\/dx.doi.org\/10.6180\/jase.202609_32.047&nbsp;&nbsp; Download PDF This studyfocusesonidentifyingandanalyzingthechallengesandlimitationsofthecurrentcopyrightprotection mechanisms for Yunnan\u2019s digital cultural heritage. Yunnan, which is&hellip;","_links":{"self":[{"href":"\/jase\/index.php?rest_route=\/wp\/v2\/tkuisotope\/6887"}],"collection":[{"href":"\/jase\/index.php?rest_route=\/wp\/v2\/tkuisotope"}],"about":[{"href":"\/jase\/index.php?rest_route=\/wp\/v2\/types\/tkuisotope"}],"author":[{"embeddable":true,"href":"\/jase\/index.php?rest_route=\/wp\/v2\/users\/3"}],"wp:attachment":[{"href":"\/jase\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"\/jase\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6887"},{"taxonomy":"post_tag","embeddable":true,"href":"\/jase\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}